I’m writing this from a giant bathtub in my hotel room in Stratford, Ontario. My parents invited me to come with them to the theatre festival here; we go every year that we can. It’s wholesome that my parents are the people who introduced me to theatre and taught me to love it, and I still get to share it with them regularly to this day.
We saw an adaptation of Peter Pan yesterday and a production of La Cage Aux Folles today, and – as is typical for me – I had a crush on like half the people in the casts of both shows, and now I’m thinking about why I’m so prone to theatre crushes.
Setting aside the obvious fact that working theatre actors tend to be talented, good-looking, hard-working, brave, and strong-willed (since all of these traits help you substantially in the biz), I mainly see my theatre crushes as a microcosm of my demisexuality. I’ll flip through the program before the show begins, reading the cast’s credits, and usually no one in particular will stand out to me as cute – but then the show starts, and then I get to watch all these people act, sing, dance, and go through an emotional arc for a couple hours. It’s not the same thing as developing an emotional connection with them, of course, but I feel the same sensation of attraction clicking into place, after gaining some familiarity with the person (or at least with their character): how they talk, how they move, what their face does when they’re happy or sad or horny or angry. Invariably, by the time intermission comes around, I feel a little like I know them – which makes it possible for me to think they’re really fucking hot/cute/swoonworthy.
Now, would the attraction translate if we met outside of that environment (assuming they were into me too)? Who knows. Maybe it was just the lights, costumes, and stage magic, and the attraction would dissipate like flung confetti once the house lights come up. But even still, I think theatre crushes have value.